Madness, addiction and wickedness. Here is the web according Herzog
Here is the web according Herzog In "Lo and Behold" the director tells the 73 year old "thing" that has "crept into the dark side of human existence"
Read More >Here is the web according Herzog In "Lo and Behold" the director tells the 73 year old "thing" that has "crept into the dark side of human existence"
Read More >Werner Herzog's latest documentary, "Lo and Behold, Reveries of the Connected World" should have been a documentary series, and may have started with that structure in mind. Presented by Netscout, the film offers a survey of the internet, its implications, and the questions surrounding it, utilizing interviews with various experts, probed by Herzog and emitting the wonder and enthusiasm his interviewees are apt to give themselves over to. Illuminating the humanity among internet afficionados may be the film's greatest strength, as its coverage winds up being uneven and at times only skims the surface.
Read More »Only a filmmaker like Werner Herzog could make a documentary about the internet and articulate the same existential angst he vehemently expressed over 30 years ago about nature. In what would become the documentary Burden of Dreams, about the making of the feature film Fitzcarraldo (both from 1982), Herzog rants in the middle of the Peruvian jungle: "Nature here is vile and base [...] The trees here are in misery, and the birds are in misery. I don't think they sing, they just screech in pain."
Read More »Rating: *****
Werner Herzog brings his dour brand of whimsy to LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD, his consideration of cyberspace. The result is a thought-provoking piece that brings up little-known issues and implications, placing them side by side with the more conventional topics of security and dependence. Indeed, the most arresting moment in the documentary isn’t a security analyst explaining that if were presently engaged in a cyberwar, we would not necessarily know it. Rather, it’s a computer scientist blithely musing on another potential blind spot. That would be the idea that if artificial intelligence arose on the internet, and became self-aware, he didn’t see any reason why it would let us know it’s there, much less consult us about anything it might want to do. It’s as revelatory as it is disconcerting.
In 10 micro-chapters Werner Herzog, the director of the classic odysseys “Fitzcarraldo” (1982) and “Aguirre, the Wrath of God” (1972), tackles the rise of the Internet and the perils and promise of a connected world. The scope and the questions are nothing new – “Who is going to be liable if a computer makes a mistake?” Herzog asks about self-driven cars – but the filmmaker’s laid-back yet probing style and quest for getting at the human condition and effects of a digital sphere enveloping society is nothing short of infectious. (It’s viral, if you will.)
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